One of my favorite things about life, in all of its aspects, is surprises. 

The value of pop music is its ability to be immediately familiar and comfortably simple.  I’ll warn you now: if you want an album that will not offer surprises or deviate more than a line here or there from your expectations, Jacob Metcalf’s Fjord is not the one for you.

Fjord is, simply put, lavishly reserved.  The term “baroque” comes to mind.  Wherein pop music builds an entire song around the repetition of a mildly creative idea, Fjord offers melodies in a brief flourish and then moves away from them.  With more than half of the tracks on the album under three minutes long,  Jacob Metcalf clearly feels no need to make a paragraph out of what could be a sentence.


My Top 7 Chronological Moments of Fjord

1) One Three Nine (3:13) Early on, you are introduced to Jacob’s unique storytelling fashion, which tactfully weaves together the elements of melody, lyric and arrangement. The musical narrative of this song drives toward a resolution that never comes, as the music cascades beautifully into nothing, like a chandelier falling into a pit.

2) Cut your ties (0:45) This may be my favorite melody on the entire album, and we’re only treated to it twice. Then again, when the song clocks in at less than two and a half minutes, hitting repeat is an easy decision.

3) Ein Berlin (2:00) In this verse, the story of Metcalf’s grandfather’s days in a factory ends by paying sincere homage to the glory of hard work, especially as a sacrifice. He sings of his grandfather as “Always close to fire…his desire: raise a family, see it guarded and well fed.” There is something very noble about this summation of his legacy, and that aura is echoed in the regal trumpet line it precedes.

4) Just a Job (0:30…ish) I don’t wanna spoil it, so I’ll just say hold your expectations loosely.

5) Just a Job (1:31) While the overall tone of the album is melancholy, there are certainly moments that make you wish you had been a fly on the wall at the recording session. And that spark daydreams of the lively energy this song must bring to live shows.

6) Traffic (0:30) Good music is akin to a magic trick, in that its ability to be aware of and then manipulate your expectations is both its intrigue and joy. The quick mood swing of the introduction forms a crossroads of frustration and hope. “I wish there was a way.  I’ve got to find my way.” The unsettled nature of the accompaniment is enriched by its proximity to an introduction that you would swear you had figured out.

7) Traffic (2:19-end) In this instrumental outro, you can almost feel the swell of traffic. It’s like standing in a median and hearing cars pass on both sides.

You can connect with Jacob Metcalf on Facebook, at his Homepage and especially on Instagram. (One of the better ones I’ve come across). And be sure to grab Fjord on iTunes!